| Album review by Danny Alexander
The Glitter Kicks - "Love Everything" (Iconoclastic Pop)
This CD’s title might seem ironic after listening to a hard-driving half
hour of punk-fevered rock, 7 out of 10 lyrics hostile enough to knock
someone out cold. But, in some way, I don’t think the title’s ironic at
all. The voice and vision of the Glitter Kicks belong to disarmingly
sweet-voiced Tawni Freeland, whose vocals bite hard and draw a compelling
portrait of just how tough it is to simply be a decent person. “Friends”
force themselves on you, beat up on you, verbally abuse you, and load you
so full of their crap that you want to fade into the woodwork or tell them
to just fuck off. Freeland chooses the latter with Ed Rose’s massive
guitar, Chris Wagner’s urgent bass and Craig Haning’s wall-to-wall drums to
provide flank attacks and cover her back. Not that she needs heavy
artillery--Freeland’s most compelling weapons are her relentlessly powerful
vocals and her righteously-targeted lyrics. On “Sunshine,” she even offers
peace with "a broken spirit that will show us that it's not so broken at all."Both “Fourth of
July” and “One and Only” close the album celebrating the promise of love
fully aware of its limits--if the vision is turned too far inward or
focused too narrowly. Again, “Love Everything” seems less absurd than the
finale’s “I can’t love anybody else.” The many great musical moments here,
such as Jon Harrison’s manic keyboards on “Sticks and Stones,” kill the
irony and bring home the zen.
(write P.O. Box 193, Lawrence KS 66044 or glitter@midusa.net).
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