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Blame the Dog, Talking to Ferns, Takedown
Review by Danny Alexander
Blame the Dog delivered the sort of likeable but undistinguished rock set
that has become increasingly common in an era when a band like Matchbox 20
and Counting Crows have defined the poles of the pop guitar band. Even if
the performers mean what they are saying, a sense of affectation has made
too many bands sound bland when they are supposedly pouring their hearts
out. Blame the Dog's singing sounded passionate and the playing solid, but
no song or performance transcended a sort of stylized competence.
Talking to Ferns cover similar territory as a band, but both their
arrangements, which leaned heavily on bass and heavy rhythms, and the
singer's unusual baritone growl made for a more dynamic performance. A
cover of the Beatles' "Dear Prudence" gave a focal point to the set, making
sense of the band's dark, dreamy sound.
The evening's great surprise came with the closing set by Takedown.
Takedown's songs mine similar new wave elements made currently popular in
the area by bands like the Creature Comforts and Ultimate Fakebook. What's
different about Takedown is its aggressiveness and conviction. Brett
Stewart sings each song like he wants the back of the house to hang on
every lyric, and the rhythm section pounds the energy home. A smart
three-piece, Takedown uses its make-up to emphasizes the stark grit of its
terribly catchy rock. The band had the house, and kept it right where it
wanted it.
--Danny Alexander
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